K Pop Start

K Pop Start K-Pop-Star Yohan: Überraschender Tod mit 28 Jahren

K-Pop (Korean Popular Music) ist ein Sammelbegriff für koreanischsprachige Popmusik und Bezüglich der Behandlung der Stars von ihren Talentagenturen kommt es in Südkorea immer wieder zu Kontroversen. So unterschreiben die. Der koreanische Sänger Yohan war Mitglied der K-Pop-Band TST. Sein Tod erschüttert abermals die Szene. Südkorea Dritter K-Pop-Star binnen zwei Monaten tot aufgefunden. Cha In Ha galt in Südkorea als aufstrebendes Talent im TV- und. Schillernde Fassade, knallharte Realität: Nach dem jüngsten Tod von K-Pop-Star Cha In-ha wird die Kritik an der Branche immer heftiger. K-Pop-Stars brechen nicht nur weltweit Rekorde, sondern sind auch neue Stilvorbilder. Wir stellen die wichtigsten Namen vor.

K Pop Start

K-Pop-Star Yohan ist tot. Er wurde nur 28 Jahre alt. Erschreckend ist, dass sein Tod in der südkoreanischen Musikbranche kein Einzelfall ist. Südkorea Dritter K-Pop-Star binnen zwei Monaten tot aufgefunden. Cha In Ha galt in Südkorea als aufstrebendes Talent im TV- und. K-Pop-Star, Eschborn. K likes. Hier seht Ihr aktuelle K-POP Veranstaltungen in Deutschland bzw. Europa.

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Jun Hyun-moo Yura. Katie Kim [1]. Lily M. Katie Kim. Lay Me Down - Sam Smith. Grenade - Bruno Mars. Rehab - Amy Winehouse.

K Pop Start Video

K/DA - POP/STARS (ft. Madison Beer, (G)I-DLE, Jaira Burns) - Music Video - League of Legends Weltweit gibt es Wettbewerbe wie den Kbase Contest[19] in denen diese Gruppen gegeneinander antreten. Ihr Community-Team. Besonders erfolgreich sind derzeit NCT Südkorea ist tonangebend. Oktober englisch. Was muss Bestes Glucksspiel, um die jungen Stars besser Peyon List schützen? Pfeil nach links. Diekmeier Dennis hätten gern ein echtes Kunstwerk? Juni Nicht mehr online verfügbar. Im Jahr brachte Goo ihren Ex-Freund vor Gericht, nachdem er damit gedroht hatte, explizites Filmmaterial von ihnen zu veröffentlichen, das ohne ihre Zustimmung gedreht wurde.

Yohan — real name Kim Jeong-hwan — shared his final Instagram photo on May 31 of himself standing on a beach, captioned, "I want to travel.

The singer debuted in as a member of boy band NOM. The group released their fourth and most recent album, Countdown , in January.

Yohan's death is the latest in a string of young Korean entertainers who have died in the past year. A cause of death was not revealed.

She had been hospitalized in May after what police had said was a suicide attempt inside her apartment, according to BBC News. Initial evidence, including a note found at the scene, indicated that Sulli died by suicide, authorities said.

FB Tweet ellipsis More. Image zoom. Scholar Crystal S. Anderson writes that "[a]ppropriating elements of a culture by taking them out of their original context and using them in a completely different way does not automatically constitute negative cultural appropriation.

Many agencies have presented new idol groups to an audience through a "debut showcase", which consists of online marketing and television broadcast promotions as opposed to radio.

These concepts are the type of visual and musical theme that idol groups utilize during their debut or comeback. Concepts can also be divided between general concepts and theme concepts, such as cute or fantasy.

New idol groups will often debut with a concept well known to the market to secure a successful first debut.

Sometimes sub-units or sub-groups are formed among existing members. Two example subgroups are Super Junior-K. Online marketing includes music videos posted to YouTube in order to reach a worldwide audience.

Promotional cycles of subsequent singles are called comebacks even when the musician or group in question did not go on hiatus. Dance is an integral part of K-pop.

To choreograph a dance for a song requires the writers to take the tempo into account. Consequently, K-pop choreographers have to simplify movements.

The training and preparation necessary for K-pop idols to succeed in the industry and dance successfully is intense. Training centers like Seoul's Def Dance Skool develop the dance skills of youth in order to give them a shot at becoming an idol.

Students at the school must dedicate their lives to the mastery of dance in order to prepare for the vigorous routines performed by K-pop groups.

This, of course, means that the training must continue if they are signed. Companies house much larger training centers for those who are chosen.

An interview with K-pop choreographer Rino Nakasone lends insight into the process of creating routines. According to Nakasone, her focus is to make dance routines that are flattering for the dancers but also complementary to the music.

Lee gives another perspective, telling that her choreography often starts out as expressing the feeling or the meaning of the lyrics.

The emergence of Seo Taiji and Boys in paved the way for the development of contemporary K-pop groups.

As K-pop "was born of post-Seo trends," [52] many acts that followed Seo Taiji and Boys adopted the same fashion style. Deux and DJ DOC can also be seen wearing on-trend hip-hop fashions such as sagging baggy pants, sportswear, and bandanas in their performances.

Hip-hop fashion, considered the most popular style in the late '90s, [54] remained, with idol groups H.

The use of accessories elevated the idol's style from everyday fashion to performance costume, like ski goggles worn either around the head or neck , headphones worn around the neck, and oversized gloves worn to accentuate choreography moves were widely used.

While male idol groups' costumes were constructed with similar color schemes, fabrics, and styles, the outfits worn by each member still maintained individuality.

L shows idols in pink schoolgirl costumes, and "One" and "End" of Chakra presented indu and African style costumes. To portray a natural and somewhat saccharine image, the accessories were limited to large bows, pompom hair ornaments and hair bands.

With the maturation of female idol groups and the removal of bubblegum pop in the late s, the sets of female idol groups focused on following the fashion trends of the time, many of which were revealing pieces.

The latest promotions of the girl groups Baby Vox and Jewelry exemplify these trends of hot pants, micro-miniskirts, crop tops, peasant blouses, transparent garments and blouses on the upper part of the torso.

As K-pop became a modern hybrid of Western and Asian cultures starting from the late s, [57] fashion trends within K-pop reflected diversity and distinction as well.

Fashion trends from the late s to early s can largely be categorized under the following: [58]. K-pop has a significant influence on fashion in Asia, where trends started by idols are followed by young audiences.

According to professor Ingyu Oh, "K-pop emphasizes thin, tall, and feminine looks with adolescent or sometimes very cute facial expressions, regardless of whether they're male or female singers.

South Korean embassies and consulates have also organized K-pop concerts outside the country, [67] and the Ministry of Foreign Affairs regularly invites overseas K-pop fans to attend the annual K-Pop World Festival in South Korea.

In addition to reaping economic benefits from the popularity of K-pop, the South Korean government has been taking advantage of the influence of K-pop in diplomacy.

In an age of mass communication, soft power pursuing one's goals by persuading stakeholders using cultural and ideological power is regarded as a more effective and pragmatic diplomatic tactic than the traditional diplomatic strategy hard power obtaining what one wants from stakeholders through direct intimidation such as military threat and economic sanctions.

This event was considered a deliberate endeavor by the Korean government to support Korean cultural industries in order to strengthen the nation's international reputation and political influence.

Another example of cultural diplomacy is K-pop performances in North Korea. Prior to , South Korean pop singers occasionally gave performances in North Korea.

Kim Jong-un was present in the audience. K-pop music is easily accessible online mainly due to Korean entertainment companies' deliberate openness to having their content as widely distributed as possible.

This is done by having it be openly available via a large variety of content distribution methods, such as YouTube and other international social networking sites that are not exclusive to Korea.

The history of Korean popular music can be traced back to when an American missionary, Henry Appenzeller , began teaching American and British folk songs at a school.

These songs were called changga in Korean, and they were typically based on a popular Western melody sung with Korean lyrics.

The Japanese confiscated the existing changga collections and published lyrics books of their own. After the Korean Peninsula was partitioned into North and South following its liberation in from Japanese occupation , Western culture was introduced into South Korea on a small scale, with a few Western-styled bars and clubs playing Western music.

After the Korean War —53 U. In , the American Forces Korea Network radio started its broadcast, spreading the popularity of Western music.

American music started influencing Korean music, as pentatony was gradually replaced by heptachords and popular songs started to be modeled after American ones.

In the s, the development of LP records and improvements in recording technology led to the pursuit of diverse voice tones. Many singers sang for the American troops, usually in dedicated clubs, the number of which rose to The South Korean economy started blooming and popular music followed the trend, spread by the first commercial radio stations.

Korean cinema also began to develop and Korean musicians began performing to wider audiences. When Beatlemania reached the shores of Korea the first local rock bands appeared, the first of which is said to be Add4 , a band founded in Some Korean singers gained international popularity.

Their cover of "Charlie Brown" reached No. They also performed in Las Vegas. Add4, Korea's first rock group, was formed by Shin Joong-hyun in and produced Korea's first rock song, "The Woman in the Rain", which is a form of light rock reminiscent of the early Beatles.

Shin Joong-hyun was so instrumental in the development of Korean rock music that he is regarded as the "godfather of Korean rock" in South Korea.

During this period, with the rise of Western pop music and Korean rock music, trot was no longer predominant in South Korea.

During the s and 60s, Western pop music, Korean rock music, and trot co-existed in South Korea. At the end of the s Korean pop music underwent another transformation.

More and more musicians were university students and graduates who were heavily influenced by American culture and lifestyle including the hippie movement of the s and made lighthearted music unlike their predecessors, who were influenced by war and Japanese oppression.

In spite of this, folk-influenced pop remained popular among the youth, and local television channel MBC organised a music contest for university students in This was the foundation of several modern music festivals.

The folk music of that time is made up of melodies sung plainly, with the singing accompanied by a guitar or two. A majority of the folk music at that time was initiated by elite university students and those who graduated from prestigious schools.

Like the activists of the U. In turn, the government banned folk music due to its association with the students' anti-government movements.

In the s, the Park Chung-hee government banned American pop music and Korean rock music for their association with sex and drugs.

Shin Joong-hyun, the "godfather of Korean rock music", was imprisoned in due to a marijuana scandal. In order to bolster its anti-Japanese credentials, the government also banned trot songs because of its "Japaneseness" given the influence of Japanese enka songs on trot.

However, President Park actually embraced trot. His daring performances and unique singing style often shocked the public and later he was banned from performing in Korea.

Han moved to New York City and pursued his musical career there, only returning to his home country in the s. In the s, DJs also started to become popular.

The Asia Music Forum was launched in , with representatives from five different Asian countries competing in the event.

Korean singer Cho Yong-pil won first place and went on to have a successful career, performing in Hong Kong and Japan. Cho's musical repertoire included rock, dance, trot and folk-pop.

For example, in , his trot song, "Please Return to Pusan Port" was a great hit. Despite the temporary setback due to his involvement in a marijuana incident in , he managed to bounce back with the song "The Woman Outside the Window" which reached a record-breaking sales of 1 million in In the s, Korean pop musicians incorporated partially Europop and mostly American popular music styles such as hip hop , rock , jazz , and electronic dance in their music.

The song's success was attributed to its new jack swing -inspired beats and memorable chorus, as well as innovative lyrics which dealt with the problems of Korean society.

Idol bands of young boys or girls were formed to cater to a growing teenage audience. The group was a huge success and the fans copied the group's hairstyle and fashion.

Merchandise affiliated with the group ranging from candy to perfume were sold as well. Their success was followed by that of young boys and girls idol groups like Sechs Kies , S.

During the late 90s, talent agencies began to market K-pop stars by implementing an idol business model used in J-pop , [89] where talents are selected and trained to appeal to a global audience through formal lessons or through residency programs.

The s saw a reactionary movement against mainstream popular culture with the rise of illegal underground music clubs and punk rock bands such as Crying Nut.

K-pop's increasing popularity forms part of Hallyu , or the Korean Wave : the popularity of South Korean culture in other countries. By the beginning of the 21st century, the K-pop market had slumped and early K-pop idol groups that had seen success in the 90's were on the decline.

L, Shinhwa, and g. Solo singers like BoA and Rain grew in success. However, the success of boy band TVXQ after its debut in marked the resurgence of idol groups to Korean entertainment and the growth of K-pop as part of Hallyu.

During the beginning of the 21st century, K-pop idols began receiving success elsewhere in Asia: in , Baby Vox's single "Coincidence" became popular in many Asian countries after it was released and promoted during the World Cup in South Korea.

BoA became the first K-pop singer to reach No. They also charted in various music charts in Thailand. Since the mids, a huge portion of the East Asian music market has been dominated by K-pop.

Elsewhere in the world, the genre has rapidly grown in success, [] especially after Psy 's " Gangnam Style " music video was the first YouTube video to reach one billion views, achieving widespread coverage in mainstream media.

K-pop has spawned an entire industry encompassing music production houses, event management companies, music distributors , and other merchandise and service providers.

They are responsible for recruiting, financing, training, and marketing new artists as well as managing their musical activities and public relations.

Currently, the agency with the greatest market share is S. In , 1, albums were released in South Korea.

The hip-hop genre had the most representation, at two-thirds of the total albums. In , singer Hwangbo entered the European music industry for a short period when she released the single R2song, reaching 1 on the world's largest dance music site JunoDowload, being successful in the United Kingdom, Europe, as well as Korea; becoming the first Asian artist to achieve it.

Overall, "Fake Love" is the seventeenth non-English song to reach the top ten, and the first for a K-Pop group. The single also debuted at number seven on Billboard 's Streaming Songs chart with Snoop Dogg in By convention in modern K-pop, trainees go through a rigorous training system for an undetermined amount of time before debut.

This method was popularised by Lee Soo-man , founder of S. Entertainment, [] as part of a concept labelled " cultural technology ". Because of the training period, which can last for many years, and the significant amount of investment agencies put towards their trainees, the industry is very serious about launching new artists.

Trainees may enter an agency through auditions or be scouted, and once recruited are given accommodation and classes commonly singing, dancing, rapping, and foreign languages such as Mandarin, English and Japanese while they prepare for debut.

Young trainees sometimes attend school at the same time. There is no age limit to become a trainee and no limit to the duration one can spend as a trainee.

The Korean music industry has spawned numerous related reality TV shows, including talent shows such as Superstar K and K-pop Star , specialist rap competition Show Me the Money and its female counterpart Unpretty Rapstar , and many 'survival' shows, which commonly pit trainees against each other in order to form a new idol group.

The rise in these shows, which often involves larger agencies contracting smaller agencies' trainees into project groups and taking a larger portion of the revenues, has led to criticisms over the former monopolizing the industry.

In , Time magazine reported that Korean television producers such as Hwang Yong-woo and Kim Jong-jin had been arrested for "accepting under-the-table payments guaranteeing TV appearances to aspiring singers and musicians" in a bid to tackle "systemic corruption in South Korea's music business".

Companies investigated included SidusHQ and S. K-pop management companies have also been criticized for exploitation of idols through overwork and restrictive contracts, described as " slave contracts " in a BBC report.

In-demand K-pop stars — many of whom are teenage 'idols' — have been known to rehearse and perform without sleep. In July , S. Entertainment was taken to court by TVXQ and a Super Junior member, who alleged that their working conditions had led to adverse health effects.

Entertainment void , and resultantly the Fair Trade Commission released contract templates to regulate industry conditions.

In , South Korea passed a law to regulate its music industry, protecting idols aged under 19 from unhealthy labor practices and overtly sexualized performances [] and guaranteeing them "the basic rights to learn, rest and sleep".

Industry professionals such as SM Entertainment's CEO Kim Young-min have defended the system, arguing that individuals trained within the system are "no different than typical middle or high school kids, who go to after-school programs to cram for college entrance exams".

Kim has also argued that there is a need to consider the expenses incurred by the company during the trainee period, including "facilities, equipment, costumes, and virtually everything the trainees need".

Prior to these regulations, trainee idols at eight idol agencies were not permitted to seek contracts at any other agency while at training.

Moreover, agencies were able to terminate a trainee contract at any time for any reason. The Fair Trade Commission states that they believe these changes will "result in a more just contract culture within the entertainment industry between trainee and agency.

Some of the concerns raised by the idol agencies over these regulations include the risk of a trainee at one agency going undercover at another agency to receive training with the other agency.

This introduces further risk that the idol agencies must take in training new idols. Trainees train for 3 years on average and the agencies support these trainees with various training programs during this duration, resulting in each trainee being a very large investment for the agency.

The industry has been criticized for the sexualization of both male and female idols, with the sexualization of minors in particular being of concern.

Some K-pop artists have suggested that the uncertainty and pressures of their jobs as entertainers may be detrimental to their mental health.

According to musician Park Kyung of Block B , "There are many people who debuted with no sense of self yet, and they come to realize later that every move and every word they say is being observed so they become cautious and lose their freedom.

K-pop artists are frequently referred to as idols or idol groups. Not all K-pop fans are young women; [] in Metro magazine interviewed male adult K-pop fans of different nationalities, who talked about how following male pop groups and being part of their fandoms had helped them understand themselves and the concept of masculinity better.

Many fans travel overseas to see their idols on tour, and tourists commonly visit Korea from Japan and China to see K-pop concerts.

An article by The Wall Street Journal indicated that K-pop's future staying power will be shaped by fans, whose online activities have evolved into "micro-businesses".

Some of the more popular groups have personalised light sticks for use at concerts; for example, Big Bang fans hold yellow crown-shaped light sticks.

Fan clubs sometimes participate in charity events to support their idols, purchasing bags of ' fan rice ' in order to show support.

The rice bags are donated to those in need. There are businesses in Korea dedicated to shipping rice from farmers to the venues.

A unique feature of K-pop fandom is the "fan chant". When an idol group releases a new song, chants, usually consisting of group members' names, are performed by live concert audiences during non-singing parts of songs.

Some idols and idol groups have faced problems from obsessive fans that indulge in stalking or invasive behavior.

These fans are known as sasaeng fans, from the Korean word for 'private life', which alludes to their penchant for invading the privacy of idols and members of idol groups.

There have been accounts of extreme behaviors from fans trying to gain idols' attention. Social media sites such as YouTube , Twitter , and Facebook allow K-pop artists to reach a global audience and to communicate readily with their fans.

The number of searches of "K-pop" on YouTube increased by a factor of 33 from to Through social media advertisement, Korean entertainment companies narrowed the cultural gap so K-pop could enter the global market and gain recognition among overseas consumers.

Before the digital era, people would purchase and consume music products on an individual basis. Consumers now actively participate in sharing music products and advertising their favorite artists, which is advantageous for K-pop.

Of the 2. Twitter has also been a significant social media platform for K-pop stars to get connections and promotions. Other K-pop groups, such as Seventeen and Monsta X, also appeared in the global top ten.

Exo, a South Korean boyband, was the most followed celebrity to have entered Twitter in Many Korean entertainment companies use social media platforms, especially Facebook, to promote and communicate about their global auditions.

Following the lifting of WWII -era restrictions imposed on exchanges and trade between Korea and Japan in the late s, the first-generation girl group S.

S became the first Korean artists to debut in Japan in late and their first album Reach Out in Young K-pop star BoA had Japanese language training before her Korean debut and when she debuted in Japan in , her Korean identity was inessential.

Her music style and fluent Japanese led her to be considered a part of J-pop. TVXQ did not promote that they were Korean and their ballad-style songs fit well into J-pop's typical sound.

TVXQ's first and second albums released in Japan were minor successes, peaking on the Oricon Charts at twenty-five and ten respectively.

This made them the first Korean male group to have a number-one single in Japan. In they even beat the legendary Japanese band B'z by accumulating over 1.

Some Korean artists were in the top 10 selling artists of the year in Japan. With tensions still remaining between Korea and Japan, the import of Korean popular culture has been met with different forms of resistance, in the form of the 'Anti-Korean Wave'.

One demonstration against the Korean Wave with roughly participants was broadcast on Japan's Fuji TV to an Internet audience of over , However, the chairman of the Presidential Council on National Branding cites this resistance as proof of "how successful Korean Wave is.

The s saw the rise of K-pop in China through groups like H. K-pop artists have achieved considerable success in China since then: in , Rain held a concert in Beijing with 40, people in attendance.

Having Chinese members in K-pop groups is one way Korean entertainment companies make K-pop more marketable and appealing in China. The K-pop industry's methods of producing idols have influenced Chinese entertainment companies' practices.

These Chinese companies aim to reproduce K-pop idols' success with their own stars so that Chinese entertainers can compete better globally. To achieve this, Chinese entertainment companies have recruited K-pop industry experts, and some of these insiders have actively started moving into the Chinese music industry to capitalize on K-pop's increasing influence on market demands.

Chinese reality show Idol Producer further highlights K-pop's impact on China's entertainment scene: closely mirroring Korea's Produce However, lately, Korean entertainment companies have allowed their Chinese K-pop idols more freedom in pursuing solo work in China.

Additionally, the rise of K-pop has led to an increase in the number of Chinese tourists in South Korea—3.

Despite North Korea's traditionally strict isolationism , K-pop has managed to reach a North Korean audience. While consumption of South Korean entertainment is punishable by death in North Korea, [] it has still become increasingly more available with the global rise of technology and the implementation of underground smuggling networks over the past decades.

Because North Korean law enforcement had figured out how to catch people consuming the media from DVDs, few people accessed the K-pop and K-dramas.

Utilizing the increasingly sophisticated smuggling networks, several thousands of USB drives and SD cards containing K-pop and K-dramas have been distributed and sold through care packages and the black market.

Those near the border who choose to stay away from the banned media from the flash drives often cannot escape it. Ever since the s, both countries have blasted their own propaganda across the DMZ : North Korea broadcasting anti-south propaganda and South Korea broadcasting Korean and world news as well as K-pop.

After an incident in , South Korea resumed broadcasting anti-North news for four days, as well as in , after North Korea tested its hydrogen bomb and has been broadcasting since.

These 11 loudspeakers can be heard up to six miles into North Korean territory. This enables the broadcasts to influence possible defectors staying near the border as well as create bothersome propaganda that North Korean soldiers cannot escape.

The dissemination of K-pop and Korean media has been crucial in presenting the realities of North Korea to its citizens. By detailing the basic conditions of life in South Korea and introducing foreign ideologies, Korean media has aroused civil unrest amongst both citizens and elites concerning the disparities between living conditions inside and outside North Korea.

Because most youth lacked the resources to afford the drives, most consumers of South Korean media before were middle-aged elite who favored K-dramas over K-pop due to their more traditional behavior.

One researcher at the Korea Institute for National Unification claims to have never met a single defector who had not seen or listened to foreign media before entering South Korea.

Yet experts remain wary that a cultural uprising will occur because of the media. Consuming South Korean media serves many purposes for North Koreans such as enjoyment and education, but few consider uprooting a totalitarian regime because of the cultures they've experienced through K-pop and K-dramas.

In , Kim stated he was "deeply moved" after attending a two-hour concert in Pyongyang featuring South Korean performers such as singer Cho Yong-pil and the popular girl band Red Velvet.

The concert featuring over South Korean artists, attended by North Korean elites, [] also displays growing relations between the North and the South.

None of the song line ups, lyrics, or dance moves of the performers were asked to be changed by traditionalist North Korean officials.

This acceptance of the K-pop and its content shows a stark contrast of Kim Jong Un's historically stringent policies on foreign media.

The South Korean artists also performed alongside notable North Korean artists in the following week. Recordings of both performances have been made public to South Koreans, though no reports have been made of their release to the North Korean public.

Despite sharing a similar past, the Taiwanese did not carry a positive sentiment towards South Korea after , which is when South Korea broke off its diplomatic relationship with Taiwan in order to pursue one with mainland China.

This changed in the early s as the cultural dispersion of Hallyu has contributed to the reconstruction of South Korea's image among the Taiwanese.

This change was in part prompted by the South Korean government, who wished to encourage goodwill between the two countries after the break of diplomacy.

Now many Taiwanese have remarked that Korean popular music and Korean dramas have helped to foster a renewed interest and healthier relationship with South Korea.

Korean-style "straight eyebrows" have become quite popular among many Singaporean females and males of Chinese, Malay and Indian descent. This event proved the immense popularity of the Hallyu wave in Singapore.

In Malaysia, among the three main ethnic groups— Malay , Chinese and Indian —many prefer to listen to music in their own languages, but K-pop and Korean movies and TV series have become popular among all three ethnic groups, which Malaysian firms have capitalized upon.

K-pop along with Korean TV series and movies has turned into a popular culture, especially among the young generation of Indonesia.

This trend can be observed in any major city in the country. K-pop has also influenced music in Indonesia. Korean telenovelas were aired locally in the Philippines starting in , marking a further expansion of the Hallyu wave.

Vietnam already had numerous contacts with South Korea in the past and even shared a similar political situation, notably the separation in half of both nations.

Despite the tragedies of the Vietnam War , the country presently remains welcoming of the Korean influence on the Vietnamese population. South Korean entertainment companies are investing and searching for talent in Vietnam.

Lee also said that Vietnamese culture is extremely similar to Korean culture, which is favorable for both countries in terms of global expansion.

These are prime examples of the Hallyu wave and the rising K-pop popularity in Vietnam. In the Northeast Indian state of Manipur , where separatists have banned Bollywood movies, consumers have turned to Korean popular culture for their entertainment needs.

The BBC 's correspondent Sanjoy Majumder reported that Korean entertainment products are mostly unlicensed copies smuggled in from neighbouring Burma, and are generally well received by the local population.

This has led to the increasing use of Korean phrases in common parlance amongst the young people of Manipur. In order to capitalize on the popularity of K-pop in Manipur, many hairdressing salons have offered "Korean-style" cuts based on the hairstyles of K-pop boy bands.

K-pop is catching up in various other states of the country and K-pop festivals and competitions draw thousands of fans. In Nepal , K-pop gained popularity along with Korean dramas and films.

K-pop has become influential in the Nepali music industry and K-pop music videos are often used as an accompaniment to Nepali music on YouTube.

In , the Wonder Girls became the first K-pop artist to debut on the Billboard Hot singles chart. The subgroup's debut EP, Twinkle , peaked at on the Billboard The tickets sold out in only a few hours, and additional dates were added.

Psy later told reporters that his gig with Madonna had "topped his list of accomplishments". On January 29, , Billboard , one of America's most popular music magazines, launched Billboard K-Town , an online column on its website that covered K-pop news, artists, concerts, and chart information.

Their winning of the award marks the first time a Korean group has won a Billboard Award, and the second time a Korean artist has won the award, after Psy's win in Many idol groups have loyal fan bases in Latin America.

Korean dramas exposed the Mexican public to Korean products and spurred interest in other aspects of Korean culture. K-pop began to gain ground in Mexico due to the series the music accompanied.

Fans particularly sought out the music of soundtracks respective to Korean dramas that were broadcast. The comic convention, La Mole, commenced selling Japanese comics and music and later commenced to sell K-pop.

PIUs combined gaming and dancing, introducing the Mexican youth to Korean gaming software and generating interest in Korean music.

K-pop's presence in Mexico can be outlined through the growing number of Korean music acts in the country. In recent years, the number of K-pop concerts in Mexico has risen and branched into other portions of the country.

His concert held in Mexico City sold out in advance. Many of those groups covered widely known songs, such as Exo's cover of Sabor A Mi.

The strength and large number of fan clubs have continuously helped promote and support K-pop across the country.

Over 70 fan clubs dedicated to Korean music are present in Mexico, bringing together around 30, fans. Demonstrations have continued into recent years.

However, larger fan club organizations in Mexico receive indirect or direct support from Korean cultural programs. These larger organizations contain multiple fan clubs within their structure.

According to the Berliner Zeitung , many fans who attended were not just from Germany but also from neighbouring countries such as France and Switzerland.

The reservation system of the Odeon West End crashed for the first time one minute after ticket sales began as the concert drew an unexpectedly large response.

The ticket demand for this performance was so high that fashion magazine Elle gave away forty tickets through a lottery, and the performance was also televised in Japan through six different channels.

K-pop also saw a surge in popularity in Russia. On February 3, , Park Jung-min became the first ever Korean singer to hold a solo concert in Moscow.

On December 8, , on the MTV Russia channel, the project of the mobile operator MTS , MTCamp, was launched the acronym of their company name and the word amp and at the same time MTV Trainee Camp [] the result of which in half a year should be the junior team from 5 member in the style of k-pop.

The show collaborates with the production company Avex Trax. K-pop has become increasingly popular across the Middle East over recent years, particularly among younger fans.

Nissim Atmazgin, a professor of East Asian Studies at Hebrew University of Jerusalem , "Many young people look at K-pop as culture capital—something that makes them stand out from the crowd.

In , the number of fans in Turkey surpassed ,, reaching , in Their single " Power " was the first K-pop song to be played at the fountain show. The K-pop Wave has led to the creation of a number of dance groups that perform dance covers of K-pop music and teach K-pop choreography.

A number of K-pop idols have hailed from Oceania. The following year, 4Minute were judges at the same contest in Sydney. In May , B.

They are the seventh country to host KCON since The video labeled her as a "devoted" admirer of the Yushin system of autocratic rule set up by her father, Park Chung-hee.

Since the early s, several political leaders have acknowledged the global rise of Korean pop culture, most notably U. President Barack Obama , who made an official visit to South Korea in and mentioned the strong influences of social media networks, adding that it was "no wonder so many people around the world have caught the Korean wave, Hallyu.

Secretary-General Ban Ki-moon delivered a speech in front of the National Assembly of South Korea , where he noted South Korea's "great global success" in the fields of culture, sports and the arts, before pointing out that the Korean Wave was "making its mark on the world".

State Department spokeswoman Victoria Nuland remarked in a daily press briefing that her daughter "loves Korean pop", [] which sparked a media frenzy in South Korea after a journalist from the country's publicly funded Yonhap News Agency arranged an interview with Nuland and described Nuland's teenage daughter as "crazy about Korean music and dance".

According to an article published by the international relations magazine Foreign Policy , the spread of Korean popular culture across Southeast Asia, parts of South America, and parts of the Middle East is illustrating how the gradual cessation of European colonialism is giving way and making room for unexpected soft power outside of the Western world.

From Wikipedia, the free encyclopedia. For other uses, see KPOP disambiguation. Genre of popular music originating in South Korea.

Korean music electronic pop dance gospel rhythm and blues hip hop jazz folk classical country rock reggae experimental. Vocals drum machine electronic drums bass guitar acoustic guitar synthesizer keyboard sampler sequencer digital audio workstation percussion groovebox.

Play media. See also: Fashion in South Korea. Wonder Girls performing "Nobody" —an instance of retro style. A publicity shot of 2PM —an instance of sexy style.

Sung by Park Hyang Rim. Main article: Korean ballad. Main article: Korean Wave. Main article: Gaon Music Chart.

Further information: Billboard K-Town. See also: Slave contracts. Main article: Sexualization and sexual exploitation in K-pop.

Main article: Sasaeng fan. Main article: List of K-pop concerts held outside Asia. See also: Category:K-pop festivals. Main article: K-Pop in Latin America.

See also: Korean Wave. Pop music portal South Korea portal. Contemporary culture of South Korea Korean Wave a. Musical terms worldwide: a companion for the musical explorer.

Semar Publishers. Retrieved December 5, Since the s, popular genres like rap, rock and techno house have been incorporated into Korean popular music, setting the trend for the present generation of K-pop, which often emulates American models.

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Hoboken: Taylor and Francis. K-pop Beyond Asia. Retrieved August 24, October 11, Retrieved April 18, October 1, Retrieved March 27, Institut national de l'audiovisuel.

Archived from the original on November 3, Retrieved January 25, K-pop is a fusion of synthesized music, sharp dance routines and fashionable and colorful outfits.

Chosun Ilbo. Retrieved December 28, The Wall Street Journal. The management firms pay for everything; leading talent house S. New York: Routledge.

National University of Singapore. Southeast Review of Asian Studies. University of California, San Diego. Archived from the original PDF on April 13, Retrieved April 13, Retrieved January 19, Retrieved February 25, Popular Music and Society.

The Guardian. Retrieved March 7, Retrieved March 28, The American hip-hop community's recent interest in K-pop has helped open a lot of doors for other artists and managers Stateside, too.

February Language in Society. The Korea Times. April 12, July 30, Inside the weirdest, most lucrative global frenzy in music". Retrieved April 11, South China Morning Post.

Retrieved April 10, The New Yorker. April 26, The Daily Dot. August 24, High Yellow. Retrieved December 26, The Odyssey Online. February 8, Retrieved November 15, K-Pop: Korea's Musical Explosion.

Twenty-First Century Books. Retrieved January 5, K-pop news sites for the past couple of weeks have seemed to have some new video or bit of Girls-related gossip to chew over once or twice a day.

There's been a "drama" teaser and a "dance" teaser that's the one above and countdown videos from each of the group's nine members One of the unique things about album releases by K-pop artists is that they are routinely called 'comebacks' even when there's been no evidence that the musician or group went away or, in the conventional sports usage of the term, experienced a setback or loss.

Retrieved March 9, Archived from the original on December 28, Retrieved December 27, The Verge. October 18, October 5, Retrieved October 15, Beyond Hallyu.

Retrieved October 17, Critical Discourse of K-pop within Globalization. University of Illinois Press. Korea Observer.

Oakland, California. Retrieved May 7, Hallyu 2. University of Michigan Press. New Korean Wave. Journal of the Korean Society of Fashion Design. September 21, Retrieved April 2, The Chosun Ilbo.

December 25, Retrieved March 2, MTV News. Retrieved January 15, Retrieved January 26, A BOK official said the increase "is related to a surge in exports of cultural products amid the rising popularity of K-pop in Europe and the U.

The government then identified the cultural industry as the next growth driver. Numerous state research agencies were created and some projects were subsidised in an attempt to boost the nation's cultural industry.

Jakarta Post. Visit Korea. Korean Tourism Organization. E-International Relations.

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